The Deep Politics of Hollywood. In the Parents` Best Interests | WHAT REALLY HAPPENED


The Deep Politics of Hollywood. In the Parents` Best Interests

GE/Universal’s Munich (2005) – Steven Spielberg’s exploration of Israeli vengeance following the Palestinian terrorist attack at the 1972 Olympics – raises similar suspicions. Although the Zionist Organisation of American called for a boycott of the film because they felt it equated Israel with terrorists, such a reading is less than convincing. Indeed, by the time Munich’s credits begin to roll its overriding messages have been stamped indelibly into the brain by the film’s Israeli Special Forces characters: “Every civilization finds it necessary to negotiate compromises with its own values,” “We kill for our future, we kill for peace,” and “Don't f*ck with the Jews.” Predictably, Israel is one of GE’s most loyal customers, buying Hellfire II laser missiles as well as propulsion systems for the F-16 Falcon fighter, the F-4 Phantom fighter, the AH-64 Apache attack helicopter, and the UH-60 Black Hawk helicopter. In Munich’s 167 minute running time the voice of the Palestinian cause is restricted to two and a half minutes of simplistic dialogue. Rather than being an “evenhanded cry for peace,” as the Los Angeles Times hailed it, General Electric’s Munich is more easily interpreted as a subtle corporate endorsement of the policies of a loyal customer.

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